In Search of Inspiration

Learning how to paint with oils in Provence

My challenge for this painting holiday is to learn how to paint with oils.

I've got enough time and hopefully enough good weather to make some progress.

However I'm a bit wary of the drying time, (given I've got to transport paintings home plus all the rest of the paraphernalia associated with being away for four weeks).  I've been with people painting with oils in Provence before who were completely stumped as to how they were going to transport wet oil paintings back home on a plane.

Which means I'm leaning towards using Alkyd oil paint instead as this is quick-drying and that will mean I'm hopefully transporting paintings which are dry.

All colours in the range remain workable on the palette for 4 to 8 hours, and are touch dry on the canvas in 18 to 24 hours.

Winsor and Newton - Griffin Alkyds

I'd be very interested to hear from anybody who has used either or both in what will hopefully be a warm/hot summer climate.

Colour Palette - what's available and what I will need

Below is the colour chart for Winsor and Newton's Griffin Alkyds.  This is the table of information about composition and permanence which indicates all are rated extremely permanent or permanent.  Now to work out which ones to get!

Winsor & Newton Griffin Alkyd Colour Chart
click to see larger version on W&N website

My experience when going abroad is that there is usually a colour which is quite unlike anywhere else. 

I've already asked Julian (Postcard from Provence) what his recommendations are as to colours.  I remember when I first went to Provence feeling a strong need to get some naples yellow very fast.  I also couldn't work out what colours made the sky colour or the universal blue house paint of Provence.

Julian suggestions for blues are as follows

• Manganese blue or ceruleum and ultramarine
• cutting ultramarine with cad red to get that hot dusty blue/grey which is so south of france
• the deep blue of looking up away from the sun I usually manage with ultramarine and ceruleum or manganese mixed 

My Queries

Since this is a virtual house party, I've listed my queries below.  Do feel free to join in! :)

1. What colours do I need for Provence?
2. Does anybody had any experience of using Zest It with Alkyds?  I'm very keen on using something which is non toxic.
3. Which brushes work best when painting small paintings with alkyds?

In my next post I'll be ruminating on easel versus pochade......

First Things First

OK, I am getting my priorities right here, got my ticket to fly, brought and paid for, got a passport, up to date with an unsmiling,  recognisable photo.  Now, the most important thing is to sort out what I am taking.  I am talking art materials here, not books or even clothes but paint, paper, drawing implements, brushes, boards etc.

What I plan to do is work out how many paintings I can do in a day, how many days I am staying in Provence, add a few more for good luck, gather it all together then weigh it.

Then clothes will take up the spare space, or not.  I could always wear a lot of my clothes, all at once for the flight!  Luckily Katherine has offered to take my oil paints with her as she is driving down and air planes don't like to take oil paints.  So I have a few colours arriving in the next day or two and then they will head off for the big city from Cornwall in a lovely parcel.

I am getting very excited, and the countdown thing on the side of this blog is making it worse...only 17 days to go!!